East Liberty Presbyterian Church: The Cathedral of Hope
116 S. Highland Ave.
Pittsburgh, PA 15206
412/441-3800

 

 


About Us

Pipes of Glory

About the Organ
"The SOLO and ANTIPHONAL Organs"

Part 3 in the series about ELPC’s Aeolian-Skinner Pipe Organ.
by the Rev. Dr. J. Richard Szeremany,
Worship Music & The Arts Director


The SOLO Organs (or SOLO Divisions) are included in larger instruments such as the ELPC Sanctuary organ.

Solo does not mean that this division is played by itself, although there are occasions on which a Solo sound is played in chords by itself. Rather Solo Organ refers to the fact that the tonal appointments included in this division represent sounds which are traditionally used by the player to feature or to "solo out" a melodic line playing the accompaniment to the melody on other keyboards.
 

In the ELPC Solo Organ, we do find beautiful sounds (when they cooperate!) for playing melodic passages. The names of some of these are: French Horn; English Horn; Gamba and Gamba Celeste (quasi cello); Orchestral Flute; Tuba and Tuba Mirabilis (one of the most powerful sounds in the entire organ.)

The sounds of Solo divisions add a tonal dimension which in today's market might be described as a luxury because stops (sounds) such as those described above are expensive: expensive because of the sheer size of these ranks of pipes, most all of them being of full 8-foot length and thus requiring more material of tin, lead or wood throughout their compass; the extreme skill required to manufacture these particular pipes; the addition of high pressure wind to make these pipes produce their proper sounds. And, we have a magnificent SOLO Organ that, when restored, will bring us once again those beautiful sounds we have come to hear—even though we didn't know what they were or how they are produced.

There is another division, an important division of the ELPC organ, a division that is almost twice the size of the Solo organ. It is called the ANTIPHONAL Organ and it resides at the liturgical "west" end of the Nave. We know it as "the balcony." The Antiphonal Organ in size contains 17 sets of pipes including the memorial Trompette en Chamade under the balcony window. The pipes of the Antiphonal organ are located in chambers on either side of the balcony and they are fronted by decorative wooden screens (just like in the Chancel.) Antiphonal organs are used in large sanctuaries to assist the congregation in its singing of the worship music. That's exactly what we used to be able to do before our antiphonal organ developed terminal problems in its wind chests and electrical system. In fact we used to have choral music from the balcony accompanied by the Antiphonal organ. And some of you still remember how there was supportive sound surrounding you on congregational hymns if you were sitting further back in the nave beyond the transepts.

The Antiphonal Organ is NOT included in the contract for restoration of the ELPC organ. It is not overlooked by the builders. In fact the new electrical systems and switching mechanisms include the Antiphonal organ at a later date. Why a later date? In the mind of the companies that were considered for this contract, their thought was that the front (Chancel) organ would be completed and then based upon that sound and how it relates to the acoustical enhancements that were done in the sanctuary several years back, appropriate tonal appointments would be made in the Antiphonal division thus tying both front and back organs together as a family. Were such work to be approved it could be completed within six months of the Chancel organ.

There have been suggestions made as to how the completion of the Antiphonal Organ might be accomplished. Being only one eighth the size of the Chancel organ, the cost to refurbish the complete Antiphonal division is therefore proportionally less than the total cost of the present capital campaign. Considering the effectiveness of the Antiphonal organ and several valid reasons why the complete organ (both ends of the Sanctuary) should be restored at the same time, the addition of this cost to the overall project does not seem to be prohibitive to a number of our ELPC people. Although I am speaking unofficially, here I have been asked as to how this additional project might be realized. I must caution us all that we must not divert our contributions toward the present Pipes of Glory campaign. Any underwriting of the additional contract for the Antiphonal Organ must be "new" money. And what might "new" money be? I have been asked about gifts given in honor or in memory of someone (the Chapel organ is given in honor of the music ministry of Donald and Mary Kettring.) Such gifts might be by individuals or a group or family might wish to combine their gifts. If you have questions or if you have an interest in this particular aspect of the organ restoration project please do not hesitate to speak with me or certainly with our Pastor, Rev. Randy Bush. We will be happy to receive your questions and your suggestions, and to listen to your interest in this aspect of your church's life.

Next article in the series -- Part 4: "The CHOIR Organ"


For more information about the Pipes of Glory project, contact:

The Rev. Dr. J. Richard Szeremany
Director of Worship, Music & The Arts
email: jrichard
(please add the extension "@coh.net" to the email address)
412/441-3800

Norma Meyer
Administrative Assistant for Worship, Music & The Arts
email: normam
(please add the extension "@coh.net" to the email address)
412/441-3800

back to top


"...inviting all to join our diverse, inclusive family of faith,
transcending all boundaries of race, class, ability, culture, gender
and sexual identity to become one in Christ."

Questions about the ELPC website?
Contact the ELPC Webmaster info@cathedralofhope.org.

updated 2006-08-10